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Cuescade · Early access

Your show, to the frame.

Timeline show control for Blackmagic ATEM.

Cuescade

Every shot, exactly where it goes.

Load the track, see the waveform, write shots with the number keys. To the frame, not to the second.

Timecode is in charge.

It chases incoming LTC. Every act starts on time, all night, the same every night.

Frame-accuratecuts land on the code, not on a clock of its own
No interneteverything happens on your network, during the show too
LTC · MTCor the program's own clock for rehearsals

Each camera sees its own.

One web address per operator. Their shot, their countdown, and tally from the switcher itself.

The whole desk.

Transitions, keys, DSK, AUX, macros, media player, audio and record. And up to four mix effects.

The rest.

Show control
Variables, mappings, actions and dashboards inside the program itself. Presets for Resolume, Companion, Eos and grandMA3.
Lower thirds
A lower third with alpha for OBS, or a fill & key pair to feed the switcher.
External control
OSC in and out, MIDI, and a Companion module that fills its dropdowns from the open show.
Running order
Import the spreadsheet you already keep. Export the shotlist to CSV or to paper.
Timecode log
The last twenty minutes, frame by frame, for when something does go wrong.
It travels
One file with the project, the settings and the media. Open it on the other machine and it is all there.
What you need
Mac or Windows, an ATEM over IP, and the same network. The installer carries everything.

Early access.

Cuescade is in beta, in testing with a small group of users. If you work with ATEM and want to run it in production, you can request access.